Mark Sampson (Head of Berlin & Saluzzo Opera)

“I really appreciate the grace and skill with which you sang. I want to encourage you to keep growing with this character, as you clearly have a wonderful connection to Susanna. A captivating performance that would carry to the very back of the MET.”

Operatic Repertoire

* Indicates a role currently being studied

Concert Repertoire

* Indicates repertoire currently being studied

Bellini

  • *Giulietta - I Capuleti e I Montecchi

Puccini

  • Musetta - La Boheme

Mozart

  • Susanna, Barbarina - Le Nozze di Figaro

  • Zerlina - Don Giovanni

  • *Despina - Cosi Fan Tutte

  • Papagena, *Pamina - Die Zauberflöte

Monteverdi

  • Poppea, Venere, Damigella - L’incoronazione di Poppea

Caccini

  • La dama disincantata - La liberazione di Ruggiero dall’isola d’Alcina

Beethoven

  • Marzelline - Fidelio

Gounod

  • *Juliette - Romeo et Juliette

R. Strauss

  • *Sophie - Der Rosenkavalier

  • Najade - Ariadne auf Naxos

Verdi

  • Nanetta - Falstaff

  • *Gilda - Rigoletto

  • *Oscar - Un Ballo In Maschera

Britten

  • Tytania - A Midsummer Night’s Dream

J. Srauss

  • Adele - Die Fledermaus

Gilbert & Sullivan

  • Yum-Yum - The Mikado

  • Mabel - The Pirates of Penzance

Bach

  • Cantata BWV 51 Jauchzet Gott in allen Landen

  • Johannes-Passion

Faure

  • Requiem

J. Whitbourn

  • Annelies - The Diary of Anne Frank

G. F. Handel

  • The Messiah

  • Samson

  • Jephtha

Mozart

  • Coronation Mass

  • Great Mass in C Minor

  • Requiem in D Minor

Schubert

  • Mass in G

Vivaldi

  • Gloria

Haydn

  • The Creation

  • *The Seasons

Berlioz

  • Les nuits d’été (Song cycle)

Chausson

  • Poeme de l’amour et de la mer

R. Vaughan Williams

  • Serenade to Music

  • Mass in G Minor

Ina Boyle

  • Gaelic Hymns

Make it stand out.

  • “Some people just have it. And you, my dear, have it.”

    Kathryn Harries, former Director of the National Opera Studio, London.

  • “A brilliant, bright voice with some lovely gleaming notes at the top. She sings with considerable charm and absolute elegance.”

    Mark Wildman, former Head of Opera at the Royal Academy of Music, London.

  • “(on the role of Zerlina), there is a powerful tone to your voice and she sustains the legato line with ease. The arias were confidently sung, and excellently communicated.”

    Brian Husbands, Trinity Laban Conservatoire

  • “I really appreciate the grace and skill with which you sang. I want to encourage you to keep growing with this character, as you clearly have a wonderful connection to Susanna. A captivating performance that would carry to the very back of the MET.”

    Mark Sampson, Head of Berlin & Saluzzo Opera

  • “Lovely centred sound and beautiful legato. A beautiful performance full of musicality.”

    German Government Cup, Feis Ceoil

  • “(on the role of Adele) As always, Shauna sang with style and unrivalled elegance. This certainly was a performance of ‘high class’, and when you settled into it, it was explosive.”

    Adrian Thompson

  • “(on the role of Norma) Little to say, except EXCELLENT. Bellini himself would be proud of how you sung his opera.”

    Allen Bradshaw

  • “Lots of potential with this voice. A fine, communicative performer who uses her text well with her brilliant, bright tone.”

    Kathryn Harries, former Director of the National Opera Studio, London

  • “A beautiful voice of size and quality. A soprano to watch for.”

    Mark Wildman, former Head of Opera at the Royal Academy of Music, London.